StrictlyLampin

NEW MIX!!! K2:::Get Deeper:::vol 2

2010-03-26T07:25:00.001-07:00

It took a little longer than expected, but when you're planning a wedding that can happen. Here it is for youor listening pleasure, the second installment of my "Deep n Tech House" mix series "Get Deeper". Tracklist is below. Download and enjoy!

http://soundcloud.com/strictlylampin/k2-get-deeper-vol-2

K2:::Get Deeper:::vol 2

::Astor (Shur-I-Kan Remix) - Robert Babicz [8Bit]
::&U (Kruse & NuernbergRemix) – Fraser Owen & Noir [Noir Music]
::After Rain Comes Sun (Joris Voorn Dusty Dub Stab Mix) – Solumun [Diynamic]
::Deliver Me (Kruse & Nuernberg Remix) – Motorcitysoul [Simple Records]
::Lost In Memory (Aki Bergen Remix) – Doomwork [Neurotraxx]
::Don’t Need The Sun To Shine – Marcin Czubala [8Bit]
::Keep On Getting Down – Nima Gorji [Cecille]
::Take V – Alex Caytas & Aleks Patz [Starlight]
::We Can Say Yeah – Monoroom [Brise Records]
::The Meadows – Claire Ripley [Neurotraxx Deluxe]
::Party Faktor (Justin Drake Mix) – Federico Molinari [Tsuba]
::Luis Conte – Nyra & Darius Syrossian [Viva Music]
::Grand Central, Part 1(MCDE Bassline Dub) – DJ Sprinkles [Mule Musiq]
::Handsome Machine – The Timewriter [Plastic City]

Strictly Lampin'... vol 7 (Available for download)

2009-12-08T09:29:00.000-08:00

Strictly Lampin is a mix series I started in 2003 to show case my wide range of musical tastes that would never make it on to any of my underground electronic mixes (which was pretty much all I was putting out for many years). I wanted to produce a mix CD I could give to friends and familly around the holidays as my contribution to the season. Everything from jazz to funk, indie, classic rock, reggae, blues, downtempo, world music and eveything inbetween was fair game.

7 years later and people still look forward to the new mix each and every December (or so I'm told). So, here it is... Strictly Lampin vol 7, presented this year in a one take DJ mix format. Download and Enjoy!

http://soundcloud.com/strictlylampin/strictly-lampin-vol-7-mixed-by-k2

Track List

Oscar Peterson Trio – “C Jam Blues” The opening track to one of my all time favorite jazz albums “Night Train”. If you don’t own any Oscar Peterson albums and you don’t know where to start, this is the place.
The Great Lake Swimmers – “Your Rocky Spine” I was introduced to this local Toronto group last year, and I’ve been hooked ever since. Thanks to Todd for continually expanding my laid back, folky musical side.
The Band – “Up On Cripple Creek” This has always been one of my favorite cuts from The Band. Fun Fact: This song is notable for being one of the first instances of a “Hohner Clavinet” (electronic keyboard) being played with a wah-wah pedal (a sound that became hugely popular during the funk movement of the 70’s)
Neko Case – “This Tornado Loves You” I’ve never really paid much attention to Case’s solo work until her most recent album “Middle Cyclone”. I have since repeatedly kicked myself for waiting so long.
Petra Haden – “God Only Knows” I was introduced to this amazing vocal version of the classic Beach Boys hit earlier this year by Brian Dunn. It quickly became one of my favorite tracks of the year.
Al Green – “Love & Happiness” “Something that can make you do wrong, make you do right.” Nuff said.
Alice Russell – “Got the Hunger?” On one hand it’s criminal that Alice Russell is not more popular than she is. On the other hand if she was I wouldn’t have seen her live at The Supermarket with 100 people this past summer for $15.
Allen Toussaint – “Blue Drag” A New Orleans piano legend, I only became familiar with Toussaint’s work this year as a result of his latest album “The Bright Mississippi”. Thanks to Brian for another amazing find. Album of 2009!
Guts – “Good Morning” A little ditty I got from fine music purveyor and all round great person Violet. I don’t know much about the artist or where the song comes from, but I know I like Violet’s taste in music.
Quantic & His Combo Barbaro – “The Dreaming Mind (Part 2)” As prolific as he is talented, Quantic delves further into the Americas (in this case Columbia) for his ever evolving sound. The name “Combo Barbaro” literally translates as “group of barbarians” or “people from outside Europe”. Whatever it means, it’s good.
Dubmatix – “Easy Down” (feat Michael Rose) Canadian reggae producer Dubmatix has collaborated with many top artists from the genre. For me though it’s all about this track from his latest album “Renegade Rocker” featuring the legendary Michael Rose. Hype!
Easy Star All Stars – “With a Little Help From My Friends” (feat Luciano) Having already covered tributes to both Pink Floyd and Radiohead, it made sense for ESAS to finally cover the Beatles. This version from “Sgt Peppers” really captures the essence of the original, with a dash of “rockers” style.
Dolly Parton & Kenny Rogers – “Islands In The Stream” I recently heard a cover of this song performed by Feist and The Constantines. It’s depressing. Thanks to Brie and Ryan for helping me re-discover the original version of this classic.
Wilco – “You Never Know” One of my top 10 albums for 2009, and easily one of the best live shows of the year (I was fortunate enough to see Wilco 3 times this calendar year touring in support of their latest album). Wilco loves you baby!
Buena Vista Social Club – “Chan Chan” (Live) Last year the entire Carnegie Hall concert from the original documentary (Buena Vista Social Club) was released on CD. This performance still gives me chills whenever I listen to it. If you have never seen the documentary you owe I to yourself to enjoy the story of these great Cuban Jazz masters.
Phish – “Water In The Sky” (Live) This summer I went on my first Phish tour in the US. This cut is from August 14th in Hartford. It kind of changed my life (musically speaking). It’s refreshing to know that after all these years I can still be blown away by a live music performance. Shout outs to the Frayler’s in Meriden, CT!
Franki Valli – “Beggin’” (Pilooski Edit) This tune gets toes tapping, heads nodding, and dance floors moving. Thanks to Niall for the early tip on this funky rework of the Franki Valli classic.
D-Kay – “Serenade Re-interpreted” Originally released as a drum n bass single, “Serenade” was completely reworked for the album “Individual Soul”. The jazzed up version I’ve featured here is brilliant!
Lisa Shaw – “Let It Ride” (Jimpster Remix) Legendary house vocalist Lisa Shaw and amazingly diverse remixer Jimpster team up for one of my favorite finds of the year. You can fight the urge to groove to this tune, but you will ultimately lose.
Soulstice – “The Reason” (DJ Spinna Remix) DJ Spinna strips the original version down and lays the beat right back on its heels. This remix was released back in 2001 but I only discovered it last winter. It’s still in heavy rotation, for obvious reasons.

Wilco Loves the "Loft Life"

2009-11-04T10:48:00.000-08:00

One thing I've maintained for many years is that a venue really is one of the most important aspects of any musical performance be it a live show, party, recital, theatre etc. I'm glad to see one of my favorite bands also feels the same way about their studio space. Here is a link to an article done by magazine "Loft Life" on Wilco's studio space in Chicago. They've recorded every album since the genre bending "Yankee Hotel Foxtrot" in the space and have collected a museum's worth of gear along the way.

Enjoy!

http://loftlifemag.com/mu/?p=3503

A Legend Passes: Al Martino

2009-10-15T09:09:00.001-07:00

That's it. The last of the great showbiz legends has passed. Today it was announced that Al Martino, long time Philly born crooner who popularized such hits as "Spanish Eyes" and "Volare" has passed away. As popular as either of those songs was it was Martino's turn as Johnny Fontane in the Godfather trilogy that cemented his place in the pop lexicon.

You might ask yourself, what significance this has for me personally. On the eve of the Millennium celebration (that being late December 1999) I had the honor of playing in a big band in support of Mr. Martino. On a cruise ship that sailed the Caribbean for Christmas and the infamous Y2K New Year, I shared a few dinners, and some unforgettable experiences with the legend and his wife. One of these experiences, the kind that money simply can't buy, was an evening screening on board the ship of The Godfather Part 1. Anyone who knows me will attest to my absolute love for this movie. A picture that stands alone in its triumphant ability to humanize the perils of mob life, and tell a moving tale of a complex family.

Taking my place beside the Martino's in the theatre, the extended opening scene of Connie's wedding begins to play. Suddenly Johnny Fontane appears on screen to the delight of the female guests in attendance, making his way to the stage. A serenade for the lovely bride, followed by a request to his Godfather to help make a movie role he's having problems landing come to fruition. We hear the famous "Make him an offer he can't refuse", and a horse's head.

All the while, playing each scene out in my head for memory, The Matino's regale me with fun facts and interesting trivia about the movie.
"That house there belonged to one of the producers of the movie"... "That's a real horse's head in that bed. It wasn't actually illegal to do that kind of thing back in those days, but it is now".

Amazing.

More intriguing though are the stories I hear from Martino's band leader as the week progresses. The idea that Martino was asked not to take the role by Sinatra's people (upset at the movies’ portrayal of the Johnny Fontane character as a patsy entertainer owned by the mob, believed to have been fashioned after Sinatra himself). Or the repercussions of taking the role, which included Martino's near 20 year absence from playing in Vegas. What's that about his file with the FBI? (A little less than forthcoming with these details). Whether these, or the countless other stories I'm told are true is irrelevant. To be furnished with such tales in the presence of a legendary entertainer is at least worthy of a posthumous retelling, an homage to my fond remembrance of the short time I got to share with him.

Playing in a band, supporting Mr Martino on stage however was something else entirely (a performance experience that still rings as one of my proudest moments to this day). The man's voice was still in fine shape, capable of capturing the audience and bringing them back to their youth (many of them happy to have enjoyed Martino while he was in his prime).

So, a simple tribute to the man. The last of the great entertainers.

NEW MIX!!! K2:::Get Deeper:::vol 1

2009-09-03T11:25:00.000-07:00

I haven't released a proper house mix for public consumption in years. So it goes without saying I'm quite happy to have finally gotten around to putting this one together. "Get Deeper" is a collection of deep and tech house tunes I've been diggin' for the last few months. Download and enjoy!

http://soundcloud.com/tracks/search?q=strictlylampin

K2:::Get Deeper:::vol 1

::Makayuni – Alex Niggemann [8Bit]
::Supique – Gorge [Freerange]
::Plow Hand – Soul Minority [Kolour]
::Beatdown – Chuck Love (Jimpster Remix) [OM]
::Lassur – Hans Thalau (Milton Jackson Remix) [Caballero]
::Jungle – Sebastien Leger [Mistakes Music]
::Vabanque – Manuel Tur (Stimming Remix) [Freerange]
::Touch of Soul – Dominic Martin (Milton Jackson Remix) [Le Bien et Le Mal]
::Yebo Yebo – Neuroxyde (Aki Bergen & Doomwork Dub Mix) [Starlight]
::10% - Steve Mac & Nic Fanciulli [Ovum]

::Momma’s Groove – Osunlade (Jimpster’s Slipped Disc Mix) [Strictly Rhythm]
::Stop Space Return – Crazy P (Roberto Rodriguez Remix) [2020 Vision]
::Aundy – Claude VonStroke [dirtybird]

The Early Bird Gets... Duffy?

2008-03-20T06:07:00.001-07:00

Yes, it's true. It has been a while since my last post, thought or idea made it's way to the pages of StrictlyLampin'. I've been pretty busy. Ask anyone who knows me and they will tell you that's the self professed story of my entire life (which is true). I can't help being important, I've got a lot fo things to get done and only so much time to do them in. For this very reason it has become important to plan my time wisely, to pay attention to things that I have no control over and attempt to schedule them into my life. One such event that is seemingly impossible to schedule correctly is the mid week concert.

This past Tuesday I had tickets to see the newest soul sensation from across the pond "Duffy", who would be performing one of a very limited number of shows in North America. Let me qualify that, myself, my girlfriend, and a few others had tickets for the show, one we were anticipating for weeks. The tickets arrived in the mail and read 7:00pm ddoors open. That is one thing that has always bothered me about ticketed concerts. Why do I care when the doors open? It's such a random yet effective way of ensuring I have no idea what time the show starts, when I need to be there, or even how much money to bring along when I'm stuck holding the bar up for 3 hours waiting for the headliner (or anyone in some cases) to light up the stage and make something happen. How many shows have you been to where the mere sighting of a roadie can set off the drunken masses into a hysterical rush of hoots and holla's. No doubt they, like myself have fallen victim to the idea that a time posted on a ticket is really a marathon starters gun shot, announcing to the world that you may begin spending at the bar. Is it too much to want a utopian society where concert times are posted for paying customers to ensure they can arrive when they feel ready? Even movie theatres stick pretty true to the formula of starting 15 minutes of comercials and previews at the exact time the show is posted to start. Whay can't we get it right in the music industry (bar profits aside, which I suspect is the only logical reason for such ambiguity surrounding start times). Moving on...

Mid week concerts are tough to take in. Actually make that early in the week concerts are tough. When you work full time (not from home Ryan) in an early to start office environment you can rarely afford to take a significant hit in sleep so early in the week. Drinking compounds this problem. For this reason I had decided to use my experience with club shows over the past 10 years or so to my advantage as an older, wiser, office wolf in mid week concert going sheeps clothing (so to speak). If the doors opened at 7:00pm, I'll show up at 10pm, catch the set I've paid to see, and head home. I'm so clever. No, make that strategically equipped. Despite the concerned stares from my girlfriend, who on several occassions had this worried look on her face regarding my strategy, I was instilled with confidence. I know how these things work honey. Relax, and enjoy a drink in the less crowded confines of our dining room, taking in the warm up sounds of Rockferry (Duffy's first album).

As we exit our cab in front of the Mod Club at approximately 10:15pm it is immediately apparent that people are laving the club, and not in any sort of a "we're all heading out for a smoke" fashion. No, I had become a victim of my own creation. My clever idea had turned on me, and the music industry decided at the worst possible moment to take an interest in something I have always wished for - earlier mid week start times at club shows. I for one feel there is a valuable lesson to be learned from this situation. If and when I figure out what it is, I will let you know.

Oh My LOLLA!!!

2007-04-12T06:24:00.000-07:00

When I was in high school, everyone looked forward to summer holidays (something that I'm sure hasn't changed). For some it was the opportunity to travel abroad, head to the cottage, louonge by the pool, get a summer job and the list goes on. For myself though (who had a job all year round, and didn't have a pool) it always meant the start of the summer live concert season! Leading the charge as one of the more anticipated line up announcements would be that of Perry Farrell's travelling alternative road show "Lollapalooza".

For two summers I went to Molson Park in Barrie to take in a diverse range of acts such as The Breeders, Cypress Hill, George Clinton & the P Funk All Stars, The Beastie Boys, Moby, Elastica, Hole, Sonic Youth, A Tribe Called Quest, Pavement, and the list goes on. It wasn't until the festival took a turn for the commercial worst, booting Farrell from any creative contribution (or so I was lead to believe at the time... I haven't fact checked that one) that the touring side show took a turn for the worst (although to be honest, I'm sure it would have been proper to see Orbital rince out at the 1994 edition of the festival... even if it was at Kingswood).

Fast forward to present day and Lolla has gone from cultural turning point, to the depths of insignificance, back to prominence in it's current one stop 3 day incarnation. Perry is back at the helm and the logistics of staging a touring troup of musicians has been abaondoned in favor of the festival format so popular in Europe.

Today the 2007 line up was announced featuring headliners Pearl Jam, Daft Punk, Ben Harper, Iggy Pop and the Stooges, Interpol, the Roots, My Morning Jacket, Muse, and approximately 100 other bands or musical acts set to descend on Grant Park that will grace numerous stages over 3 days in Chicago... smells like a summer road trip to me!

Check the link for the full line up... and if your looking for me August long weekend, you know where to find me!

http://www.lollapalooza.com/default.asp?fd=1&sid=1

Absolutely "ESSENTIAL"!!!

2007-03-13T05:15:00.000-07:00

Yes, it's been a little while since my last post (or entry... I'm still getting used to all this blog talk). I can assure you it's all been time well wasted. If it's not school or work occupying my time it's the amount of things worth going out for in February and March, namely birthdays. In fact, it really makes me wonder what everyone in the world is doing in June and July (actually it doesn't, and I will let you do the math on that to your own conclusions... anyways...!!!).

One other thing that has been occuppying my time of late is going to the gym. This is an evolution in my life that is certain to baffle most who have known me for years. The benefits of working out can not be discounted though. It's a great stress release, there are the obvious physical benefits, my heart likes me a lot more now than it ever has, and of course the most important benefit; I get a solid 90 minutes - 2 hours of time to listen to great music un-harrassed by the outside world (with the exception of tht guy who interupted a blazing mix by High Contrast last week to find out how many sets I had left on the Leg Curl machine... you know who you are!!!). It amazes me how quickly the time can fly if you are wrapped up in a Derrick Carter "Ministry of Sound" mix down, or hanging out with Underworld "Live". In fact Mark Farina regularly gets me through 15 km on a stationary bike, only to have Mylo work me over in some resistance training.

Lately though, my iPod has been feeling too familiar. I know all of these mixes. I know all of these albums. And like any work out, the routine needs to be switched up every so often to maximize it's effects on you. Enter the "BBC Essential Mixes blog".

For those who don't know, Essential Mix is a weekly series of 2 hour sessions hosted by the legendary Pete Tong on BBC Radio 1 that showcases the best DJ's from around the world flexing the latest and greatest wax for discerning legions of electronic music fans (and I'm certain it's soundtracking the late night, post club piss up at some blokes house in Cardiff). If you're like me and your schedule does not revolve around weekly television or radio shows (I think I might be in the minority here given the number of people who talk about Jack Bauer like he's a close personal friend) you need someone to put it all together for you, a place where you can peruse 10 years of great weekly shows in one glance. That's what the BBC Essential Mixes blog has done for me. With sets from the likes of High Contrast, Grooverider, Carl Cox, Laurent Garnier, and Pete Tong himself the list is long and nothing short of legendary.

My sincere thanks to the person who started this blog and has taken the time to post not only the sets themselves, but the track lists that accompany each one. I would highly recommend doing a strict regimine of at least one new set a week. Just remember to stretch.

http://bbcessentialmixes.blogspot.com/

This Saturday Night!!!

2007-02-23T07:52:00.000-08:00

So, I'm playing a party this Saturday for some friends, none other than the "Notorious Walkers" Kerry and Scott. It just so happens to be Kerry's birthday, which just so happens to be the excuse we need to all get together, have a few drinks and get down with our bad selves. Always fun times and good people (and of course you can be assured of some groovy tunes courtesy of yours truly. Peep the deets... hope to see you then!

Hey there friends,

we are having a very special party, this Saturday February 24, 2007 at Harmony Lounge on College Street, to celebrate multiple birthdays (Tommy, Agnes, Auggie, Frankie Guns, and myself), Aquarians, the Age of Aquarius, and life in general. We would love it if you would join us for some cake, some sweet beats, and some proper Bachanalian fun.

Scott, and myself will be playing some fine house muisic for your listening/dancing pleasure, and Desroy will be sure to get your booty shakin with his awesome djembe skills. Joining us in this musical venture: the truly talented, musical maestro, and fellow funk warrior, K2. He'll be soothing our souls with his fine blend of uplifting, jacking beats.

Hope to see you there, and all the best from the Spiral Groove Sound Collective.

Harmony Lounge

589 College Street, West of Bathurst
9 until late
no cover

Flute Boxing?

2007-02-21T12:28:00.000-08:00

Now I'm not one to scour the internet in search of useless home videos of un talented hacks who want their 15 seconds of fame. I don't forward many links or chain letters, and I don't watch television on my laptop. That said, the internet has brought many wonders of the modern music world to light that might remain unappreciated if not for websites like YouTube. The link attached is one such marvel that can only be described acurately by clicking and enjoying.

Ladies and gentleman, two minutes of pure musical, artistic genius.

http://youtube.com/watch?v=crfrKqFp0Zg

Roy Hargove Quintet w/The Bad Plus @ Massey Hall

2007-02-12T07:48:00.000-08:00

Last Saturday night I went to Massey Hall to see what has become somewhat of an annual ritual for me - to see a big name jazz show at the famed concert hall. On the bill this night was the Roy Hargrove Quintet with opening act the Bad Plus. To most people in Toronto if you mention Massey Hall they will immediately think of cramped seats built in a by gone era, at times hurting sound, and the odd "obstructed seat" (at least they have the good nature to print it right on the ticket). Speak to anyone in the jazz community outside of Toronto and they will recant that Massey Hall was the sight of what is commonly referred to as the "Greatest Live Jazz Concert Recording". The recording in question is performed by the Quintet (Dizzy Gillespie, Charlie Parker, Bud Powell, Charles Mingus, and Max Roach), a concert that was organized by the Toronto Jazz Society to bring together the great artists from the bop era for a showcase. The recording, which features quite an assortment of lore surrounding it (including Parker playing the entire show on a plastic saxophone and the amount of empty seats in the hall as a result of a title fight booked at the Gardens on the same night) is simply as good as the catalogued title of the album suggest; "The Greatest Jazz Concert Ever".

With that said, you can certainly understand how excited many jazz musicians are to come and play in Toronto. That was certainly the case with the opening act "The Bad Plus", an avant trio from the U.S. that do anything but stick to the standard piano led, bass and drum accompanied grouping. Working their way through a lively, and quite personable opening set that included many tunes from their up coming studio release (look for it in May 2007) The Bad Plus set a great tone for the evening. The group's personality seemed to shine through as you could genuinely sense they were having a great time playing their own material, not to mention an incredibly well paced version of Ornette Coleman's "Song X" and a crowd pleasing rendition of Rush's "Tom Sawyer". They even made a point to pay tribute to old Massey Hall before announcing one of their final selections, an ode if you will from the young lions on stage and the reverence they had for the spirits of the elders who had filled the cavernous ceiling of the building 50 years before them.

A well dressed Roy Hargrove quintet graced the stage 30 minutes later. Hargrove, no stranger to Massey Hall having been apart of the 50th anniversary tribute to the great Quintet set of 1953, was certainly the main attraction of the night. Discovered by Wynton Marsalis as a young trumpet prodigy many years ago, the young Hargrove has been playing to expectations for years. More recently he's been touring with both his live hip hop/funk outfit the "RH Factor" and his quintet, keeping both relevant at the same time. It became apparent early in his set that either he's been playing way too much or not practicing nearly enough. I've personally seen Hargrove in various groupings 5 times over the years, but on this night he definitely sounded flat. Not in energy, but in ability. I commented to my friend Steve early in the set "is this the second or third show he's played today, because he sounds blown out?" As if his lip not producing wasn’t enough, the microphone on his alto player was doing much of the same. The rhythm section seemed to lock up pretty tight, but I couldn't help but be somewhat distracted by the lop-sided amount of energy coming from the drummer's side of the stage.

One thing that has hampered the shows I've seen at Massey from time to time is the inconsistent quality of the sound. Not the natural sound, but the mic'ed up mix that seems to lack the professionalism you expect to receive when you pay $60 (or a lot more in some cases) to see a show that for all purposes should only be seen in a small club anyways. Ever since Norman Granz took jazz out of the clubs with his 1940's series of "Jazz at the Philharmonic" shows, the live jazz experience has taken on all the difficulties putting on big venue concerts has to offer. That said, Hargrove's band came to play and they certainly did play well. It's just too bad in my opinion they had the misfortune of following up the real headliners on this night, The Bad Plus.

Opinions Are Like...

2007-02-07T13:29:00.000-08:00

Only days after making my last post, which featured a short word of praise for the latest album from Brit singer Amy Winehouse, I was informed that she we will be making the trek across the pond to North America for a tour (March 23rd, The MOD Club, Toronto). What excellant news, a chance to perhaps see if it's simply "studio magic" that makes her stunning, authentic sound hold up (somehow I doubt it). Surfing my way through the internet I am directed to a review on popularly opinionated bible of music "Pitchfork.com". The quick review touches on the first single from Back to Black, more specifically how London outfit "Hot Chip" have made it sound good with their own reworking of her recorded material. The text doesn't just put down the original, it bluntly proclaims it as "awful, awful" (yes, for some reason there really was a need to make the distinction between an awful rating of "one" to the sensational, yet highly effective "two").

What is my point? Am I blasting the writer for not making the same connection I have made with the song and the album? Does she know something I don't? On the contrary, my point is simply this; If a reputable source, a demi god if you will of musical taste like Pitchfork can simply dismiss something that I have taken a liking to, then all is right in the world. It's important that people in the business of waxing poetic about the sounds they like and dislike (music journalists and bloggers alike) air their thoughts and feelings without pressure to make something sound like it's great, when it's shite. It opens up discussion and proves that there are people out there with differing opinions about what constitutes really great music. Isn't that the whole point of art? It's objectivity?

If there is one thing I've learned while DJing all these years it's that everyone who listens to music has an opinion or two to share. And some of them are actually right.

I Feel This

2007-02-02T06:11:00.000-08:00

Here's a round up of album's I'm currently feeling:

"Amy Winehouse - Back to Black"
I was in Play De Record on Yonge Street in December trying my best not to make any purchases when I was instructed to take notice of what the needle was about to hit in the booth at the back of the store. What I heard sounded like a song from the old Chess or Atlantic R&B catalogues, but one that had benefited from an updated treatment of production quality that made it sound strangely unfamiliar. Little did I know I was being introduced to what the Brits have known about for a few years - Amy Winehouse. Her jazz heavy debut left some to wonder what a major label sophomore push to R&B would do to the quality of her astounding vocal output. All I can say is wow! If you like R&B, and I mean REAL old school R&B (sorry Beyonce) then do yourself a favor and introduce your "soul" to Amy Winehouse.
"The Shins - Wincing the Night Away"
One of 2007's more anticipated releases in my opinion, the group doesn't try to re-invent the wheel with this disc, they simply add a few moody filters from time to time, and the occassional electronic nuance. With the same great song writing and trademark lead vocals from singer James Mercer, "Wincing" picks up where their last effort "Chutes Too Narrow" left us; in a really great place.
"Lily Allen - Alright Still"
Having made her mark in music the "new fashioned" way with revolutionary online promotion tool "MySpace", Lily Allen caught everyones attention rather quickly. As fast as you can say "Lily Who?" she had inked a major label deal, running the risk of being labelled a "novelty" right out of the gate. The possiblity still exists for that title to be more than appropriate, but there is something so infectious about not only the lead track she's become instantly known for ("Smile"), but for the ability the album has to dodge being categorized. On the surface it's pop hooks give it Top 40 ambition, but check out the lyrical London drawl, the two step tinges, slick production, and laced up back beats. To make the case even stronger I had to dig "Alright Still" out of the hip hop section at HMV! So what is it? I call it a great start.

A Few Of My Favorite Things...

2007-01-29T11:18:00.000-08:00

The Prodigy - "The Prodigy Experience"

The early 1990's was a heady time for electronic music - if you were actually listening to it in the early 1990's that is. A period that for many people probably seems relatively dated in it's sound, the early 90's did not yield many great "techno" artist albums. "The Prodigy Experience" stands as one of the few examples in my opinion of a timeless blend of the era's many redeeming guilty pleasures, from the squealing chipmunk vocals, hyper pitched beats and whistles, to the dirty bass wobbles and anthemic piano lines.

What separated the Prodigy was their ability to display great, almost pop like hooks over top of "rave music" (which at the time seemed completely foreign to my friends and I). Growing up in the small Ontario town (and former quaker mecca) of Uxbridge, I was exposed to a more diverse range of music than was normal for teens from other small towns (respects to the James St. Bass show). Yes, the heady days of pick up truck sound systems in the parking lot outside the high school battling for metal supremacy weren't much of a resource for underground music. In fact the exposure to sounds like the Prodigy was really a fluke in many ways. I recall it was my friend Tim who arrived back from a trip to Ireland with a 12" by a group of digital punks out of Essex. I can still remember hearing "Out of Space" and being absolutely in awe of the sound. I can also recall trying to figure out what each of the groups four members played, only to soon realize it was one guy on a drum machine and a keyboard with three dancers.

The whole "Prodigy Experience" has much to offer though, and "Out of Space" only scratches the surface. From the bowel shaking bass solo mid way through "Charly" (that we could never quite hear in my friend Daryl's Ford Tempo), the demonic proclamation of "Fire", or the mash up madness of "Everybody in the Place", every song has something to grab your attention and keep you rushing. My fondest memories of this album were using it as the official soundtrack to marathon sessions of the video game Sonic the Hedgehog for Sega Genesis. Of course the gaming system is long gone, but Experience has managed to survive my ever expanding musical tastes all these years, playing in heavy rotation on my iPod at the gym.

The album like the game may seem dated by today's standards, but there really is no dismissing the fondness I recall having for them; a fondness that came with experiencing both in there prime.

Friday Night is "Looking Good"!!!

2007-01-25T11:19:00.000-08:00

This Friday night inside the Guverment NightClub, LTJ Bukem touches down with a stellar lineup of Toronto locals for what promises to be an off the hook party. I don't make it out to many big drum n bass jams these days (probably due in large part to the sheer number I've attended over the years) but in this case I, along with many other "old school junglists" will be braving the cold to party with one of the originals, all the way from funky London town! Joining LTJ Bukem, one of the genre's finest party hosts, MC Conrad will add his tasteful aural stylings on the mic. In many ways one can not picture Bukem playing without the sing song vocal talents of Conrad rousing the crowd to rush to the bass.

On the heels of a thankfully short lived retirement, Frankie Gunns, one of Toronto's premiere DJ's, promoters and peddler of fine beats, is joined by Toronto producers Mutt and Krusada as the popular "SLXN" series makes it's return from a brief hiatus last year.

SLXN began as a way for mainstay Toronto promoters Theory to push the funkier, more musical sounds in drum n bass. With guests like Calibre and Marcus Intelex touching down last year it was a series of events that certainly speaks to the sounds in drum n bass I personally prefer. With Frankie Gunns once again on board, SLXN is set to make an impact (hey, getting me out to the Guverment for anything is considered making an impact these days).

If you caught Bukem and Conrad last January in the Orange Room you'll appreciate the fact that the promoters have moved the party into the larger confines of the Guverment "main room". A bigger, cleaner sound system, a killer line up of locals, a new dub or two from Krusada, and more room to schmooze... you know it makes sense!

Unfortunate, But True...

2007-01-23T07:21:00.000-08:00

Hinder - "Lips of An Angel"

My love for music is quite far reaching, genre defying in many cases. I pride myself on being open minded about a lot of music, probably a by product of my years as a wedding DJ. That said, I believe playing music for people in love has also created a healthy degree of contempt for things that musically tend to annoy me, songs I define as "Unfortunate, But True". These songs don't necessarily follow any formula, but they certainly posess the misfortune of being heard on the wrong day at the wrong time, thus pushing them into the "loathed" section of my brain.

Candidate one is Hinder's "Lips of An Angel". Long before I knew the title of this tune or the band who performed it, this song annoyed me. It started while I was watching videos on MuchMusic one night with my girlfriend (which is pretty much the only time I watch videos on MuchMusic. Coincidence?). The video features a guy singing the lines from the song into a phone to the woman he supposedly lusts after, while his "girl's in the next room" (line from the song, so clever). As contrived as it is lame, this song sounds a lot like another band I really can't stand Nickelback, but simply a cheap imitation. Is it the whiney vocals, or the tortured soul image that screems big 80's rock revival? Does it really matter?

The first thing I thought of when I heard this song was how much it reminded me of another song by rock supergroup Velvet Revolver "Fall to Pieces" (another candidate for a rant like this). The big difference is that at least Velvot Revolver has Scott Weiland all strung out in the video, which you know is completely authentic since Scott has had his fair share of "issues" involving his life actually "falling to pieces" (ahhh heroine, what a drug).

All that said, the main reason for voting this song as "Unfortunate, But True" is how it feels waking up to it. For two consecutive mornings a few weeks ago my alarm clock radio greeted me with the "lips of an angel". Starting your day with a kiss like that hurts in a way that smoking a pack of cigarettes before going to sleep only to wake up with the tar stuck to your brain does. Yes, it hurts... and so does this song.

A Few Of My Favorite Things...

2007-01-19T12:01:00.000-08:00

Wayne Shorter - Speak No Evil (1964)

One of the great Blue Note abums of the prolific 196o's period has to be Wayne Shorter's "Speak No Evil". Weeks into my first year of college studying jazz performance, i was literally chastised for not owning this album (among many others that will no doubt meet similar fates as this with a comment or two in StrictlyLampin'). Being publicly chastised for not owning a classic jazz recording was the ultimate initiation for first year students (which inevitably carried on in my case all through college). Unlike many university frosh weeks that seek to produce uncomprimising photos of freshman in altogether surreal activities unfit for sober human consumption, college jazz programs have their own first year embarassment rituals. In my case it was the walk of shame from the 3FL jazz department at HMV to the main floor cash to purchase this CD, one that I clearly should have bought or stolen by the time I was 7 (or so I was told... repeatedly).

Speak No Evil contains six Wayne Shorter compositions, with Elvin Jones, Herbie Hancock, Ron Carter and Freddie Hubbard as the supporting cast in what I would easily describe as an absolute original master piece. This was a departure for Shorter from previous solo efforts as it gave him a chance to showcase a more lyrical bop approach. From the opening horn fanfare of "Witch Hunt" the albums tone is set. The rhythm section locks down a pocket groove that pushes Hubbard and Shorter to convey energy without breaking a sweat. That said, I can't imagine Shorter sitting still for long enough not to on his solo for the album's title track. Pushed by Hancock's lush voicings, it showcases all that is truly great about Wayne Shorter, from his melodic, lyrical ideas to the full beautiful tone of his horn.

Even after discovering many of Shorters other great recordings from this era, including Adam's Apple, Night Dreamer and Juju, this one stands out as my favorite and easily one of the most cherished discoveries of my college "hazings". Do yourself a favour and take the walk of shame... get this album!!!

Welcome to StrictlyLampin!!!

2007-01-17T08:29:00.000-08:00

Well, I've done it. I have officially joined the ranks of the blogging world. Welcome to StrictlyLampin, my infrequent attempt to sort out the soundtrack of my life. My initial idea was to simply have a place to post music, mixes and other related information I may care to share with friends and fellow music junkies. Occassionaly you'll see some reviews of albums and tunes that have caught my attention, events that may interest you, and my thoughts on a lifetime PC guy going Mac. Stay tuned...

Thanks to my friend, studio compatriot and DJ dopelganger Chase (aka Spouter of Nonsense), I am learning my way through the wonderful world of "interwebbing"(and free services to boot).

Easy,

Keith